
06: D1
âPITCHERâ
(DUB POLICE 12â)
âB-side, the brilliantly named âPitcherâ, is even better. Faster than âJus Businessâ, itâs again defined by that incredible sense of drive, but itâs faster, higher and woozier â little samples whizz through the air like stars around a dizzy cartoon characterâs head.â â full review here
07: SANDRA ELECTRONICS
âIT SLIPPED HER MINDâ
(DOWNWARDS 10″)
Now that he has the Sandwell District imprint as an outlet for his more “straightforward” techno tracks, Karl ‘Regis’ O’Connor is favouring ever more exploratory releases for his long-running Downwards label.
Here, he teams up with Sandwell’s Juan Mendez (AKA Silent Servant) for an ominous but open-hearted drum-and-drone excursion that variously recalls The Velvet Underground, Amon Duul II and the BBC Radiophonic Workshop, but nonetheless has an assured and irreducible identity of its own.
08: KUEDO
âSTARFOXâ
(from DREAM SEQUENCE EP, PLANET MU)
âLead track âStarfoxâ pummels out dangerous shards of bass energy and synth sweeps as it gallops along angularly. Itâs like a hyperfunked John Carpenter soundtracking an assault on a video game arcade. Or, imagine the opening sequence of Bladerunner, careering into a carnival of technicolour.â â full review here
09: THESE NEW PURITANS
âWHITE CHORDSâ
(from HIDDEN, ANGULAR LP)
âOn a micro level the stuttering swing and snap is bolstered by cable flexes and 8-bit punctuation, but pull away and the song gradually builds to a fluid piece of dramatic pop music, Barnettâs flair for abstract-profound lyrics coming to a head with lines like âX marks the spot but also means no.â â full review here
10: JOY ORBISON
âTHE SHREW WOULD HAVE CUSHIONED THE BLOWâ
(AUS MUSIC 12â)
âHyph Mngoâ still gives us shivers, and so does this.
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