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	<title>Comments on: 20 best: Broken Beat</title>
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		<title>By: Derrick</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-24730</link>
		<dc:creator>Derrick</dc:creator>
		<pubDate>Sun, 03 Jul 2011 22:20:00 +0000</pubDate>
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		<description>biggest regret of my record collecting days was selling my copy of Afronaught - Transcend Me and not buying Victor Duplaix &quot;Manhood&quot; because it took a year for it to come out. Great tracks.  Big up to benji b for giving Afronaught  the rinse</description>
		<content:encoded><![CDATA[<p>biggest regret of my record collecting days was selling my copy of Afronaught &#8211; Transcend Me and not buying Victor Duplaix &#8220;Manhood&#8221; because it took a year for it to come out. Great tracks.  Big up to benji b for giving Afronaught  the rinse</p>
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		<title>By: C1400mg</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-24257</link>
		<dc:creator>C1400mg</dc:creator>
		<pubDate>Sun, 05 Jun 2011 10:41:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.factmag.com/?p=10375#comment-24257</guid>
		<description>It&#039;s a shame it faded. I always thought it had more legs and could have gone further. 

I still listen to a lot of it, and would get more if there was some good stuff being released. Dubstep meant nothing to me.</description>
		<content:encoded><![CDATA[<p>It&#8217;s a shame it faded. I always thought it had more legs and could have gone further. </p>
<p>I still listen to a lot of it, and would get more if there was some good stuff being released. Dubstep meant nothing to me.</p>
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		<title>By: Jay Simon</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-19695</link>
		<dc:creator>Jay Simon</dc:creator>
		<pubDate>Thu, 03 Feb 2011 14:36:00 +0000</pubDate>
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		<description>yeah, gotta talk about stuff outside the uk...bruk was definitely a world wide thing...

jazzanova especially was an integral influence on a lot of these guys. but also people like ayro, jazztronik, kyoto jazz massive, yukihiro fukutomi...etc.</description>
		<content:encoded><![CDATA[<p>yeah, gotta talk about stuff outside the uk&#8230;bruk was definitely a world wide thing&#8230;</p>
<p>jazzanova especially was an integral influence on a lot of these guys. but also people like ayro, jazztronik, kyoto jazz massive, yukihiro fukutomi&#8230;etc.</p>
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		<title>By: ZeroOne</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-15563</link>
		<dc:creator>ZeroOne</dc:creator>
		<pubDate>Sat, 06 Nov 2010 13:08:00 +0000</pubDate>
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		<description>http://www.zerooneproductions.co.uk/zerooneproductionsmusicselection.html

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		<content:encoded><![CDATA[<p><a href="http://www.zerooneproductions.co.uk/zerooneproductionsmusicselection.html" rel="nofollow">http://www.zerooneproductions.co.uk/zerooneproductionsmusicselection.html</a></p>
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		<title>By: NickGoya</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-13499</link>
		<dc:creator>NickGoya</dc:creator>
		<pubDate>Thu, 30 Sep 2010 17:25:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.factmag.com/?p=10375#comment-13499</guid>
		<description>Nice article Nick. Respect. There where only a few producers because the music was of such a high quality that most other cats did not compare. We regularly turned down demos at Goya because they where not as good as previous releases. </description>
		<content:encoded><![CDATA[<p>Nice article Nick. Respect. There where only a few producers because the music was of such a high quality that most other cats did not compare. We regularly turned down demos at Goya because they where not as good as previous releases.</p>
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		<title>By: Jay Kogami</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-1989</link>
		<dc:creator>Jay Kogami</dc:creator>
		<pubDate>Mon, 05 Apr 2010 07:02:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.factmag.com/?p=10375#comment-1989</guid>
		<description>Thank you for great article 最高です。</description>
		<content:encoded><![CDATA[<p>Thank you for great article 最高です。</p>
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		<title>By: digitalgoldfish</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-1267</link>
		<dc:creator>digitalgoldfish</dc:creator>
		<pubDate>Fri, 12 Mar 2010 01:21:07 +0000</pubDate>
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		<description>There are probably a lot you missed off. My personal latesh fave was Golpe Duro Colinda, which Orin did for his Puerto Rican album that never came out. It&#039;s just one of the best records I&#039;ve ever danced to.. You should also have mentioned they&#039;re trying to close!Plastic People. Would be a sad end. Had so many good night down there at Co-Op..&lt;br&gt;&lt;br&gt;Anyway, great article, and nice to see it getting some recognition!</description>
		<content:encoded><![CDATA[<p>There are probably a lot you missed off. My personal latesh fave was Golpe Duro Colinda, which Orin did for his Puerto Rican album that never came out. It&#39;s just one of the best records I&#39;ve ever danced to.. You should also have mentioned they&#39;re trying to close!Plastic People. Would be a sad end. Had so many good night down there at Co-Op..</p>
<p>Anyway, great article, and nice to see it getting some recognition!</p>
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		<title>By: tomcentral</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-1253</link>
		<dc:creator>tomcentral</dc:creator>
		<pubDate>Thu, 11 Mar 2010 18:32:06 +0000</pubDate>
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		<description>Check da vibe missing, which is a shame, but a top list all told.</description>
		<content:encoded><![CDATA[<p>Check da vibe missing, which is a shame, but a top list all told.</p>
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		<title>By: Global SoulJah</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-1250</link>
		<dc:creator>Global SoulJah</dc:creator>
		<pubDate>Thu, 11 Mar 2010 17:21:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.factmag.com/?p=10375#comment-1250</guid>
		<description>Nice to see this important movement given the props it deserves, although the scene died it&#039;s reverberations are still being felt whether it&#039;s in house, funky, dancehall and more. I&#039;d love to see more of these producers attacking the new genres and adding their production expertise and in a lot of cases musicality to what&#039;s new.&lt;br&gt;&lt;br&gt;I think I missed two sessions when Co-op was at The Velvet Rooms and I hadn&#039;t had such enthusiasm for clubbing since I was popping pills and going raving every week in 90/91, it really was special. So many great memories -  the whole club singing &quot;Hold Me Down&quot;, baying for another &quot;Transcend Me&quot; rewind, Victor Duplex and BB Boogie live on a cold Xmas eve session followed by a 70 mile drive on a deserted motorway for turkey with the folks and Seiji in particular RIPPING it up regularly on the decks.&lt;br&gt;&lt;br&gt;Here&#039;s three tracks I would have liked to have seen in the list:&lt;br&gt;Micatone - Run, Seiji Remix (No Zession/Sonar Kollektiv) - simple, happy and catchy as hell&lt;br&gt;Nubian Minds - Check Da Vibe (2000 Black) - Raw, dark bassline KILLER.&lt;br&gt;BB Boogie - Tell Him (Laws of Motion) - Great future boogie cover</description>
		<content:encoded><![CDATA[<p>Nice to see this important movement given the props it deserves, although the scene died it&#39;s reverberations are still being felt whether it&#39;s in house, funky, dancehall and more. I&#39;d love to see more of these producers attacking the new genres and adding their production expertise and in a lot of cases musicality to what&#39;s new.</p>
<p>I think I missed two sessions when Co-op was at The Velvet Rooms and I hadn&#39;t had such enthusiasm for clubbing since I was popping pills and going raving every week in 90/91, it really was special. So many great memories &#8211;  the whole club singing &#8220;Hold Me Down&#8221;, baying for another &#8220;Transcend Me&#8221; rewind, Victor Duplex and BB Boogie live on a cold Xmas eve session followed by a 70 mile drive on a deserted motorway for turkey with the folks and Seiji in particular RIPPING it up regularly on the decks.</p>
<p>Here&#39;s three tracks I would have liked to have seen in the list:<br />Micatone &#8211; Run, Seiji Remix (No Zession/Sonar Kollektiv) &#8211; simple, happy and catchy as hell<br />Nubian Minds &#8211; Check Da Vibe (2000 Black) &#8211; Raw, dark bassline KILLER.<br />BB Boogie &#8211; Tell Him (Laws of Motion) &#8211; Great future boogie cover</p>
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		<title>By: nemesis</title>
		<link>http://www.factmag.com/2010/03/08/20-best-broken-beat/comment-page-1/#comment-1248</link>
		<dc:creator>nemesis</dc:creator>
		<pubDate>Thu, 11 Mar 2010 16:34:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.factmag.com/?p=10375#comment-1248</guid>
		<description>Huge?! Twas never huge, hugely incestuous if anything. Way up its own backside too, full of arrogant West London posturing and self-importance. Some great tunes, mostly a ton of nonsense, and a repellent smugness.</description>
		<content:encoded><![CDATA[<p>Huge?! Twas never huge, hugely incestuous if anything. Way up its own backside too, full of arrogant West London posturing and self-importance. Some great tunes, mostly a ton of nonsense, and a repellent smugness.</p>
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