01: MMM
‘NOUS SOMMES MMM’
(MMM 12″)
“Entrancing, divine rave music that takes the heady energy of vintage hardcore and combines it seamlessly with the to-the-millimetre efficiency of modern Germany. It also, despite its day-glo exuberance, is restrained, fading before outstaying its welcome, ensuring that you want to hear it again.” - full review here

02: JAMES BLAKE
‘BUZZARD & KESTREL’
(from THE BELLS SKETCH EP, HESSLE AUDIO)
“The melodyâs so pleasant that itâs hard to focus on anything else, but when you start to examine the track and notice those tortured vocal samples and that same skeleton dance rhythm, not to mention the malevolent sub-bass, you realise that âBuzzard and Kestrelâ is far from friendly.” – the month in… bass
03: ARIEL PINK’S HAUNTED GRAFFITI
‘ROUND AND ROUND’
(4AD 7″ / download)
“Ariel has one of the most affecting voices in modern pop music, and itâs only enhanced by the backing vocals and professional recording level found here. I donât know how much attention Pink pays to those who heâs influenced, but intentionally or not, he shows them whoâs boss here on maybe the most radio-friendly record heâs ever made.” – full review here
04: ADDISON GROOVE
‘FOOTCRAB’
(SWAMP81 12″)
“If youâve been to a dubstep night this year, or indeed, a night with any vague connection to dubstep, then youâve probably heard âFootcrabâ. Itâs the one that goes âfootcrab footcrab footcrab footcrabâ, though thereâs always the chance you misheard it as âwoodcraftâ. And itâs absolutely brilliant.” - full review here
05: FOREST SWORDS
‘MIARCHES’
(from DAGGER PATHS, OLDE ENGLISH SPELLING BEE LP)
Hailing from the Wirral, Forest Swords recently released an exquisite debut album, Dagger Paths, combining influences from strung-out psychedelic rock, reggae and even dubstep into something surprisingly captivating and coherent. Comparisons to labelmates James Ferraro and Ducktails are inevitable, but ‘Swords’ sound is actually far more fleshed out and balanced than theirs, and groovy without being, you know, groovy – witness exemplary album opener ‘Miarches’.
Pages: 1 2