02: ROBERT HOOD
INTERNAL EMPIRE
(M-PLANT / TRESOR, 1994)
From the harsh styles of Hardwax came a shift to a more refined, pared down sound and with it a new label, M-Plant. After the excellent âProtein Valveâ 12â, Hood moved onto his next album. Whilst W.T. Vol. 2 felt like a compilation of tracks, Internal Empire was guided by a narrative logic and felt like a whole. Jointly released with Tresor, this became most peopleâs entry point into Hoodâs work and seemed like a statement of intent. Gone were the harsh textures, to an extent, and instead the appearance of the looped repetitive minimal patterns that he would hone throughout his career. Owing as much to Sahko records and Mika Vanio as it does to UR, tracks like âMinusâ, which plays with Reichian phase delays, and âHomeâ, which predates similar sounding euro minimal by at least ten years, are as devastatingly simple and potent now as they were in 1994.
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