09: BRIAN ENO WITH DANIEL LANOIS & ROGER ENO
APOLLO: ATMOSPHERES AND SOUNDTRACKS
(EG, 1983)
This pristine record is one of the best examples of the more electronic, Daniel Lanois-enabled sound that would come to characterise Eno’s work for the rest of the 80s. Is there a track ever made that’s more suggestive of alien contact than ‘Signals’? ‘An Ending (Ascent)’ is the most straightforwardly euphoric ambient work that Eno ever sculpted (though typically there’s an undertow of melancholy), its rising, stately chords still rinsed to death by movie and TV soundtrackers looking to connote resolution and rebirth, and frequently strapped to dirt-cheap 4/4 beats by two-bit trance producers. ‘Deep Blue Day’ is the stand-out track: a curious meshing of sci-fi synths and down-home slide guitar that brings to light the old-fashioned frontierist mentality at the heart of the NASA space programme.