Salem: 808s and heartache

Gucci Mane – ‘Round One’ (Salem remix)


So did it not really ever play a big part in your success then?

Jack: “Well at the same time that is how our song got out there in the first part. But we really didn’t do anything to push that.”

Heather: “Yeah. We didn’t do anything. People just started listening to it and liked it and then started putting it on all these blogs. It’s not like we were trying to hustle or sell anything.”

Jack: “I mean I honestly didn’t know people were even into our songs until we like, got approached about it really. I mean that’s not how I find music at all. I find music more like John and Heather.”

So is there any music out there you’re really into outside your apparent appetite for rap and juke? Anything people fail to pick up on?

John: “Mainly the things that Jack listed off earlier. I mean the only music I listen to is rap.”

Jack: “Yeah I think that the music that isn’t rap… Like the new music we listen to is mostly rap. But there’s alot of other music we listen to, it’s just not new.”

John: “Yeah.”

Well you seem really cohesive in what you listen to. So when it comes time to work on tracks are you all working together in the studio or does that not really happen?

Heather: “It depends. Like sometimes we’re together so we work on stuff together. But it really doesnt matter.”

Jack: “If we’re not together then we’ll just send each other files or if we’re together we will work together but it all ends up giving the same feel to the music. Either way it ends up having the same sound and feeling.”

Is the music heavily programmed or is there a lot of live playing going on?

Jack: “It depends.”

Heather: “Yeah it depends. Usually like Jack will make the beat. Then John and me or whoever will start making the parts. We’ll start messing around with it and playing over it trying to find what we want the melody to be. It’s not like one person.”

Lots of improvising then?

John: “Yeah a lot of the time it is. A lot of times we’ll just find a few notes and just improvise off of that. And then I don’t know…”

Jack: “Definitely. And then that will change and the bass melody will change. Then it gets to the point that it’s finished.”

John: “Yes, the act of making music is really intuitive for us.”


“When we start a song I don’t think of it in terms of a song or a staff or a progression. Instead I think of like an image or film in the way I want it to progress.”




Do you all benefit from bringing different musical backgrounds into the mix or do you feel that you kind of just clicked because you had very similar and focused interests?

Jack: “We’re very different [in terms of] musical backgrounds. I have no classical musical training where as John and Heather do. I mean I do have some but that was just basic from grammar school you know?”

Heather: “It’s good though. Like… We all think of things in different ways so like that’s what’s nice about having three people.”

Jack: “Yeah.”

Heather: “I mean Jack might have an idea about a melody that me and John wouldn’t like even think of because maybe it’s like ‘oh that’s like not even like the right key’ or something you know? But it just ends up sounding good, you know?”

Jack: “And I feel it’s really nice about how we work together that you know it’s different than how like, people who come together because the like punk rock or whatever. But we like so much different music and we have our strong focus on different music that each of us likes. So we’re all bringing like a lot of different interests into the music we make.”

So is Salem as a project moving past just being a band and into maybe into visual areas or film?

John: “I mean we all do visual things. We all do drawings and photographs, collages and video. I mean there is no separation with anything we do.”

Jack: “And like if things go well I think we will probably work with people producing movies. You know like scoring soundtracks to movies, producing movies. It’s because I think all of us are pretty aesthetically like on point. Like we’re really good at expressing ourselves artistically so I don’t see why we would just stop at just making music you know?”

Would you say the music itself is visual?

Jack: “Yeah, I would.”

Heather: “Well, I don’t know about you guys but for me like when we start a song I don’t think of it in terms of a song or a staff or a progression. Instead I think of like an image or film in the way I want it to progress.”

Jack: “Or yeah, just like feeling it out or just the feeling you get from it.”

Heather: “Yeah, more like the emotions other than like just thinking of it as a time signature or something. I don’t know. But I think we all think this way and it comes through in the music.”

Chris Powers

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  • da_boar

    love this. funny what they said bout the internet cuz dey all got a facebook n flickr. whatevs. oof oof

  • Simon Thisisnotanexit

    Heather from Salem collaboration with Detachments for those that haven’t heard it.

    http://soundcloud.com/thisisnotanexitrecords/detachments-feat-salem-sands-of-time-1

  • cryinginurface

    Is anything else turned off by how inarticulate these 3 are? The music is really amazing but they need to learn how to talk about it and stop putting on the “cool” attitude.

  • Gn

    I know two of them. They are both pretentious asses who think their shit smells like roses. FYI: it doesn’t.

  • http://twitter.com/iblamesummers iblamesummers

    INTERNET iz fo’ plebes !!!

  • Nez

    “Impossibly heavy”? Oh, C’MON! Factory Floor could melt Salem’s vacant hipster faces clean off. I thought this lame kind of half-arsed junky “kewl” (ugh) died out ’round about the same time everybody stopped reading Vice magazine?

    Not. That. Great.

  • http://twitter.com/abletoncookbook Anthony Arroyo

    The main question is: why does this persist? It is clear that Salem (along with Sleigh Bells) is the worst music on earth–yet people still cover them. I was unfortunate enough to see them in Austin and I still haven’t recovered, spiritually. Which one of these three’s dad is a record don/coke dealer?

  • David Stewart

    You’re all idiots. Just listen to music, stop talking about it.

    davidrstewart@me.com

  • scisound

    not sure any musician needs to learn how to talk about their music. actually the more they are able to describe what exactly it is, the less interesting and formulaic it eventually becomes. perhaps in art school they teach you how to articulate, but im not sure music works in the same way.

  • scisound

    not sure any musician needs to learn how to talk about their music. actually the more they are able to describe what exactly it is, the less interesting and formulaic it eventually becomes. perhaps in art school they teach you how to articulate, but im not sure music works in the same way.

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