Rae Sremmurd’s 3xLP SR3MM is anything but overstuffed
Album Reviews
Bad Gyal raises the stakes on her latest international club-pop mixtape, Worldwide Angel
Yuzo Koshiro and Motohiro Kawashima’s Streets of Rage 3 OST is a valuable slice of techno history
N.E.R.D are weighed down by their famous friends on No_One Ever Really Dies
Nabihah Iqbal breathes new life into the guitar on the Bauhaus-inspired Weighing of the Heart
On Utopia, Björk lets some light in again after the emotional violence of Vulnicura
Yamaneko’s Spa Commissions and JV Lightbody’s Inner Work challenge everything we know about ambient and New Age
Morrissey wears his anarchy like a badge of honor on Low in High School
Ty Dolla $ign’s Beach House 3 is lush but lackluster, eclipsed by the return of 112
M.E.S.H.’s vital Hesaitix reconstructs IDM amid disrupted dreams of Aphex Twin
Rabit’s Les Fleurs Du Mal is a divine opium for mortal hearts
Fever Ray’s surprise album Plunge is like being thrown into cold water and coming up gasping
The end is nigh and full of goth-pop wonder on John Maus’ Screen Memories
Visionist’s divergent new album Value suffers from uneven execution
Circuit Des Yeux’s new album Reaching For Indigo is discreetly personal and universally relatable
St. Vincent’s MASSEDUCTION is the shattering work of a future pop star
Wu-Tang Clan continue to dismantle their legacy on The Saga Continues
Kelela’s Take Me Apart is a genre-melding journey to the truth about sex and love
The apocalyptic future is now on Godspeed You! Black Emperor’s Luciferian Towers
Cold Specks’ personal is political on her soul-bearing new album Fool’s Paradise
The Necessaries’ Event Horizon is Arthur Russell’s forgotten power-pop album, and it’s fucking great
Ariel Pink is beguiled by another outsider figure on the sobering Dedicated To Bobby Jameson
Psych-punk band LA Witch cast a ’60s girl group spell on their assured self-titled debut
