Author
Jesse Bernard
The best tracks of 2019
The best UK rap of 2018
Singles Club: The revolution will not be televised, it’ll be robotized
VanJess are the new architects of electronic-soul on their debut album Silk Canvas
Singles Club: Fuh you, Paul McCartney
Singles Club: Aphex Twin’s ‘T69’ collapses
Singles Club: Neneh Cherry and Robyn compete for the title of Comeback Queen
Singles Club: Yves Tumor’s nouveau Britpop reigns supreme
Singles Club: Ciara came to ‘Level Up’
Singles Club: We all woke up in a fucked-up America
Singles Club: Azealia Banks is still a problematic fave
Singles Club: ‘Win4’ is a win for Queens rap collective World’s Fair
Singles Club: Everything is The Carters
Singles Club: Disco-funk, bubblegum pop and “a ’90s girl group headlining a Balearic rave”
Singles Club: Denzel Curry’s ‘Percs’ suggests the anti-Xanax wave is here to stay
Singles Club: The elusive Andre 3000 comes out of hiding just to stun us again
Singles Club: With RP Boo, the future is (still) footwork
Singles Club: Deconstructed rap, weightless power ballads and Kanye, again
Singles Club: In the case of Kanye vs. the people, everyone is a loser
Singles Club: Kelsey Lu’s ‘Shades of Blue’ is a summer jam for the tenderhearted
Brent Faiyaz is an unconventional songwriter with the makings of a classic R&B singer
Miles From Kinshasa fuses synth pop and Congolese rumba with a vintage ’80s flair
