The Haxan Cloak on the intricate score and sound design of Midsommar
Interviews
Logos on the classic methods behind his genre-bending club and ambient experiments
LAFAWNDAH Finds Her Language
New Weird South America is a polyglot’s fantasy
DIY won’t die: Denver’s Echo Beds on building their own instruments and life after Ghost Ship
Mark Fell on his love of FM synthesis and algorithmic composition
Bratislava’s LOM is bringing affordable field recording to the masses
Sarah Davachi on the beauty of instruments, from analog synthesizers to pipe organs
From Studio to Screen: Becoming a Composer
Moses Sumney cannot be defined
Industrial noise-rock band Uniform are reborn with The Long Walk, their latest for Sacred Bones
![Knives artist bod [包家巷]’s Museum of Virtual Art is signaling a change for fine art IRL and URL](/_next/image/?url=https%3A%2F%2Fsystem.tiquo.app%2Fapi%2Fstorage%2F245da196-2668-46f9-be6e-d0e43ad56b97&w=3840&q=75)
Knives artist bod [包家巷]’s Museum of Virtual Art is signaling a change for fine art IRL and URL
How Happa transformed Lewis’s cult oddity L’Amour into a freeform ambient rap mixtape
MK The Plug and M1 On The Beat are UK drill’s brightest hope
“Irony doesn’t help me”: Miho Hatori on New York, Noreaga and her solo project New Optimism
5 pieces of gear that helped shape Body/Head’s new album The Switch
Mitski on her Piano Teacher-inspired, “saddest” album Be the Cowboy
How music editor Mitsuko Alexandra Yabe helped Boots Riley and Tune-Yards create the sonic world of Sorry To Bother You
Lotic on tearing gender apart to make Power, their best music yet
Kornél Kovács’ 10 favorite ’90s house classics
Lucrecia Dalt peels back the layers of her geology-inspired new album Anticlines
Space Afrika are the Manchester duo breathing new life into dub techno
Meet Dot Da Genius, the man behind Kid Cudi’s sound and co-producer of Kids See Ghosts
