Wiley: Evolve or be Extinct

Available on: Big Dada LP

As this week’s FACT interview with Wiley proved, he’s one of music – let alone just grime’s – most excessive, eccentric characters. Traditionally there’s been little to distinguish between Wiley the man and Wiley the musician: from his Tunnel Vision series of mixtapes, to his now-legendary Macbook clear-out of over 100 unreleased tunes (some not even his), to his current run of four album-length projects in less than a year, his music has always been refreshingly unfiltered, and in it you find every side of Wiley; the good, the bad, and the downright surreal.

Evolve and be Extinct, however, is one of Wiley strangest releases yet. In fact, it’s often completely ridiculous. On ‘Can I Have a Taxi Please’, he orders taxis in different stereotypical accents before running through an examination of each of the voices’ stereotypical characters. It’s like Come Fly with Me meets the most derivative hip-hop concept you’ve ever heard, and it’s hard to argue it’s anything other than total guff. Then you have ‘Customs’, a skit about Wiley trying to get past a Jamaican customs officer which goes on for far too long.

On the other side of the coin, there are some definite plus points. The opening double salvo of ‘Welcome to Zion’ and ‘Evolve or be Extinct’ is some of the most grimy music that Wiley’s made in a while, with sawn-off snares and cold square wave synths, while two collaborations with Mark Pritchard, ‘Scar’ and ‘Money Man’ provide sparse, creeping highlights (though they’re not a patch on recent non-album track ‘F’ Off’). And considering some of Wiley’s post-’Wearing my Rolex’ pop singles, such as the dreadful ‘Summertime’, lead single ‘Boom Blast’ could be a lot worse. But overall, it’s hard to argue that this album’s particularly bursting with quality. Last year’s 100% Publishing may have positioned Wiley as grime’s eccentric uncle, in some ways the genre’s Roots Manuva, but on Evolve or be Extinct he spends an uncomfortable amount of time simply sounding doddery.

Chris Campbell

  • Come on Fact

    “Last year’s100% Publishing may have positioned Wiley as grime’s eccentric uncle”
    R U for real??? 

  • Guest

    A completely ridiculous record or a completely ridiculous review?

    Seriously, is this the best you can do? For a site with a very high opinion of your own opinion, don’t you think you should try and listen to records, understand them and respond to them intelligently rather than according to your list of prejudices about what’s “cool” and what’s not? Wiley may have less GCSEs than Chris Campbell but he could eat him for breakfast – as a writer, a musician, a critic (and certainly as a comedian). This is such a lazy piece of writing…

  • Jonnybgoode

    I guess these little magazines don’t pay very well lol

  • Richard

    Sack the guy that wrote this-it’s embarrassing. 

  • Jean Michel Genre

    I found the review fairly amusing (no opinion on Wiley one way or the other)…”Can I have a taxi please” sounds like it should come with a free psychotherapy session.

  • Tim

    This is just abysmal, honestly one of the worst reviews I have read. It’s just lazy writing and you can tell that it’s one of those “I-needed-to-get-it-out-of-the-way” type of reviews. No passion and worst of all, it reads like a summary.

  • TS JIVE

    terrible review, what a wanker. brilliant material from Wiley.

  • Guestogadget

    “Then you have ‘Customs’, a skit about Wiley trying to get past a Jamaican customs officer which goes on for far too long.”

    I fucking hated laughing through every second of it.

  • HeyPresto

    This news story is shit. Headline should read:
    ‘DODDERY ACCUSING JOURNALIST FAILS TO SEE SELF-DODDERY’

  • Guest

    grime’s roots manuva? grime’s eccentric uncle? lol get fucking real

  • Mike

    wow lollllll this review is very opposite of the quality of the albumn.. this guy need to be sacked.

  • Whatshisname

    looooooool this guys confused . unlucky bro u are bad at your job ha 

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